End-to-End VR 180: Create and share stories in VR 180 with immersive features.Stock Audio Library: Save tons of time with the vast library of audio effects.This is undoubtedly one of the best options for anyone who wants to take their video editing to the next level. Plus, it has cross-platform capabilities and allows you to bring in motion graphics from other Adobe products like After Effects. It can even deal with 8K and boasts end-to-end VR 180 support, allowing you to publish to YouTube directly. Whether you plan to work with 4K video or VR, this is a great tool to use as it can easily handle all formats. It’s one of the standard editing tools used in Hollywood by professional video editors, and it helps video creators transform clips into stunning works of creative art. Adobe Premiere Pro Best Overall Video Editing Software for YouTube (Free Trial then $20.99/month)Īdobe Premiere Pro has an outstanding reputation and tops our list as the best video editing software for YouTube on the market right now. This proved a much faster way to create captions and subtitles than having to play a clip and then type out the dialogue by hand.What is the Best Editing Software for YouTube? 1. One tool that made me seriously think about defecting from Final Cut Pro was DaVinci Resolve’s ability to use AI to listen to the content of my timeline and then transcribe it as text. I created a mask to brighten a light in a clip, adjusted its blending mode, and made it track the light as the camera moved. Check out my supporting video to see Nodes in action. I found this new way of working was a steep learning curve to climb but this extra level of control is worth mastering. You can then unplug and rewire nodes to change their effect on the clip in a very organic way. Nodes enable you to apply an effect (or mask) to a particulate clip (in a similar way to applying an adjustment layer to an image layer in Photoshop). (Image credit: George Cairns)Ī key difference to Final Cut Pro is DaVinci’s use of Nodes. Here we’ve used the Color page’s Hue Vs Hue curve to target the blue sky and turn it a cinematic cyan. However, when using the more basic Cut page moving clips around in the timeline behaved the way I was used to, with clips sliding aside to let new clips into the timeline (with no overwriting.)
After some googling, I learned that I could employ a keyboard shortcut when I dragged and dropped a clip to avoid overwriting the others, but this made the app less intuitive to use than when editing in Final Cut Pro. When I dragged a clip from the end of the timeline and placed it between two other clips it would over-write sections of the clips (instead of moving them apart to accommodate the new clip). One gripe I had was when swapping the order of clips in the main Edit page. I found it fairly easy to get up and running in DaVinci Resolve 18.6 when it came to importing and editing, though as it was a new app I had to adapt to DaVinci’s differences. I’ve used NLE apps since they were invented in the 1990s (having learned to edit on linear tape-to-tape edit suits back in the 80s), but my ‘go-to’ app for professional work is Final Cut Pro.